![]() He even returned to The Price Is Right when Drew Carey to took over in 2007 to modernize the theme, but Cole maintained the royalties. It turns out they were right, as Kalehoff went on to compose themes for ABC’s Monday Night Football, Nickolodeon’s Double Dare, PBS NewsHour, and ABC World News Tonight. You’re talented, have a great career, you’ll do great.’” “BMI and the mentors there said, ‘Look, man, just look. “It would have been nice to recover that. On the television… And I’ll give you all of the other music credits,’” said Kalehoff.īMI, who represents Kalehoff’s performing rights, wasn’t much help either. In response, Goodson made sure to give Kalehoff credit for his other contributions to the show, which includes the musical cues. ![]() Eventually, he went to Goodson to complain about letting that happen. But I’ll collect the writer’s ,’” Kalehoff remembered.Īccording to Kalehoff’s estimate, the theme song has earned “maybe $40 to $50 million to date,” but he didn’t receive any of the royalties because he wasn’t listed as the writer on ASCAP. “This gentleman, to make a relationship with Mark Goodson said, ‘Okay, I’ll make you the publisher. It too me a year to find I hope its the one you are. “Maybe 2 to 3.5 percent” of a show’s annual gross income would be shared between the composer and publisher. There is an artist by the name of Crystal Waters and the song is called 'Come on Down' is has the price is right theme song in the hook. Kalehoff explained that residual income for a theme is split into two pies: composer and publishing earnings.
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